Monday, February 18, 2008

Kid A - Radiohead

This is the last album by Radiohead that I paid serious attention to. What they developed with OK Computer was a sophisticated sound that was the result of a few albums of experimentation with guitars and other instruments. The album also had a high concept, but that is of lesser interest. Sometimes people associate greatness with the attempt at meaning, but Thom Yorke doodled a bunch of lyrics that hit the listener over the head with their obvious meanings. The true excellence of the album was the band's groing ability to develop with their original sounds and show slow but thoughtful progressions in their music. When Radiohead finally followed up OK Computer they didn't keep growing with their sound but instead they abandoned years worth of accomplishments for a new identity. The new make up was concentrated of new instruments and sounds.

Kid A is their romp through beats and computer effects. A styling so far off it was considered avante garde by anyone who had associated Radiohead with their earlier incarnations. The problem is that progression with musicians usually is associated with the instruments they are good at. Considering Radiohead isn't breaking new ground but going, numerous songs on Kid A can be considered simplistic, off beat versions of much better material. The National Anthem incorporates trumpet work with drum beats and other computer effects, but the progression of the song is a layer by layer introduction of each new instrument. There is little make up to the composition of the song beyond the basic beat that drives it. The use of the trumpet is just a decorative sound for a basic beat. When David Bowie experimented with electronica in the mid 90s, he also used simple beats to decorate whole songs. It showed his ability to cloak himself in new music without making it part of the best of his abilities. The shock is that when bands like U2 experimented they did so by associating many of their old instruments in with the new ones, but Radiohead designs most of the songs on Kid A to breed a complete new identity. They try to make an album that takes on talented musicians of the genre with only a few years experience. In some ways the success of Kid A is a backhanded compliment to the genre.

I've heard that Radiohead progressed after Kid A, but once I found Amnesiac to be disregardable I lost most general interest in the band. Someday I may find my way back to the band, but an album like Kid A doesn't live up to the hype.

No comments: